Une Nuit Blanche as all the appearances of a concert: the audience gathers around a DJ set, the music is loud, and the beat drives the space. In reality, it is the third act of a manifesto-trilogy of resistance against the actions of the Russian state. In a context of severe repression, Russian protests against the war are almost inaudible in Europe. This “theatrical party” becomes an eruption of resistance—and of the joy that accompanies it.

The story is once again told in the first person, this time from the perspective of activist and artist Dima Efremov. Queer and originally from a small, homophobic Russian village, Dima first trained in music and composition. When the war in Ukraine began, he turned his attention to international law and human rights advocacy. He went on to found his own organization, which has already helped free 400 political prisoners.

Dima developed a system that undermines Russia’s totalitarian military apparatus from within: he assists detainees already under house arrest and fitted with electronic ankle bracelets in evading FSB surveillance and escaping prison.

Drawing on Dima Efremov’s story as well as on the history of partisan struggles around the world, the two artists evoke both the horrors of repression and the small victories that save human lives on a daily basis. Music, laughter, and dance become paradoxical yet powerful tools for conveying the vital importance of resistance in all its forms.

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